![]() There was also a side note in Zambon’s collaboration with Valextra, which was made up of oversize totes in super-luxe leather with piumino straps and customizable letter identification.ģ Moncler Grenoble This was awesome. So there is a fringing on a down jacket and a down jacket in a cotton tie-dye.” The looks were presented in surface-less survival domes and were pretty great. There is a slightly hippie mood in the collection. Specifically it is a guy from L.A., where the nature is very close. Zambon said: “This season it is about a very laid-back guy who loves nature but lives in a very big city. there’s a little bit of a ’90s London clubbing atmosphere.” In the strobe-punctuated darkness, it all made sense.Ģ Moncler 1952 (Uomo) Sergio Zambon’s was, along with the Grenoble collection and Fragment, my favorite tunnel of the night in terms of being full of clothes I wanted to hustle the Moncler PR department into giving me. ![]() And we decided to do a recognition of all of the female heroes in history, so there is Salome there is Sappho. We tried to bring a little bit of that do-it-yourself vibe. “They were a collaboration with Itchy Scratchy Patchy-made by Edie Campbell and Christabel MacGreevy. “Yeah, but you are going to buy them! You will get the chance to see them!” I had glimpsed some patches on a down jacket. The dream of what you want to share.”Īt this point I pleaded with Leoni-we were standing in pitch blackness and her clothes were invisible. And yeah, I think it is a fine line in between fashion and what needs to be after fashion. So the clothes were essentially invisible but the designer was not, and she said: “We would consider this box a gathering of the greatest women we can find, in there to feel empowered by themselves but also exposed to us. About 30 seconds after we entered the room, it was plunged into darkness, interrupted only by strobes and Kate Bush (I think) at top volume on the PA system. The box was apparently made of reverse-reflection glass, so while the audience could see the models, they could not see us. ![]() Leoni’s space was a large box filled with feathers in which her models stood looking out. I can’t tell you she is the next Philo, but I can tell you she knows how to show a collection. It’s really a mash-up of the two worlds.”Ģ Moncler 1952 (Donna) Veronica Leoni is one of the apparently endless supply of Phoebe Philo studio protégés who have broken cover since the great Celine schism of 2018. We have nice high puffer boots and puffer bags that are synonymous with Moncler. Also using the fastenings that we used in the collection we showed in London yesterday. His response was: “It’s about taking the shapes we usually do but putting them in a down-jacket context. Happily, I also saw Quinn, lolling with two members of his team outside, and frantically pumped him for info. But I did see its setting, a tunnel whose roof was clad in wild print with a runway flanked by black blooms. ![]() However, below is what was gleaned from the launch, in order of the collections’ numeric categorization.Ġ Moncler Richard Quinn The sad truth is I never got to see this collection. Looking at the pictures that will go above this review, you’ll probably have a better view of some of the collections than this reviewer. It was, as they say here, a casino-but a fun one. That entailed sometimes interviewing designers without seeing the looks as they were still backstage, or sometimes seeing looks without interviewing designers. Most of the city had been invited to roll up at 8:00 p.m., but we nipped in 40 minutes early while the coast was relatively clear and tried to get the job done. There were 11 different collections presented side by side in various formats in a series of railway arches under the lines north of Milan’s central station. Covering this year’s round of the freshly expanded Moncler Genius project-from which the new collections will drop every month for the next 12-proved to be invigoratingly challenging.
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